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二战结束，格蕾丝(尼科尔•基德曼)在英伦的小岛上独自抚养着一对儿女，耐心等待着丈夫从战场归来。儿女怕光，受到光照会发病，因此家里的窗帘常年拉得严严实实。就在这样一间阴暗的古宅里，格蕾丝迎来了三个新仆人。这三个人到来之后，却让格蕾丝寒了心——窗帘经常被拉开，门无故打开，钢琴自动发声，而她的女儿说，在房间里经常可以见到陌生男人。格蕾丝陷入了精神紧张的状态，她不明白怪事为何屡屡发生，不明白丈夫为何迟迟未归。而她最后才醒悟，所有的惊恐，其实都来源自身，但是事情已经不可逆转…… 

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《好妈妈》

导演: 卡尔·西奥多·德莱叶

编剧: 卡尔·西奥多·德莱叶

主演: Ebbe Neergaard、Dinah Miller

类型: 纪录片、短片

制片国家/地区: 丹麦

语言: 丹麦语

上映日期: 1942-11-20

片长: 12 分钟

又名: Good Mothers

A description of the measures taken to protect the health both of married and unmarried mothers and their children through "Mother Help" (M?drehj?lpen) - a humanitarian organisation aiding young mothers with children. The theme is illustrated by taking a simple story of an unmarried mother. All the parts are played by natural types.

The film was produced by Dansk Kulturfilm for the Joint Committee of the Mother's Aid Institutions (M?drehj?lpens F?llesraad) in 1942 and added to the Social Denmark series in 1947. One of the two short Danish dialogue sequences has been eliminated from the English version.

In 1940, Ebbe Neergaard published En Filminstrukt?rs Arbejde ("A Film Director’s Work"), the first ever Dreyer biography. At a reception for the book, Dreyer was first introduced to Mogens Skot-Hansen. The next day Dreyer called him up, suggesting that they co-write a feature film adapting the play Anne Pedersdotter. Skot-Hansen, who had been involved in screenwriting before, was honoured and accepted the offer. They co-wrote the screenplay and Skot-Hansen tried to sell the Anne Pedersdotter project to Nordisk Film. He recalls the pitch as follows:

"Nordisk executive Br?ndum was very commercial and thought like a calculator. I made a deal with him: Dreyer would do a short film for Nordisk – and afterwards Nordisk would finance his feature film. That short film was Good Mothers."

He made Nordisk Film promise to produce the film if Dreyer proved that he could stick to a budget.

"I spoke with Dreyer on Friday and he immediately contacted a lady at M?drehj?lpen [Mothers Aid, ed.]. On Monday already he provided all kinds of information on the subject and had written a script, utterly perfect."

Good Mothers was shot in the summer of 1942 at Nordisk Film with a cast of non-actors, many of them affiliated with M?drehj?lpen. Kristian, a small boy who is brought along to M?drehj?lpen by Erna (Hj?rdis Jacobsen), is played by the son of Vera Skalts who headed the organisation for many years.

The dramatised parts suffer severely from bad acting, but otherwise the film is neatly put together, although that does not mean that it looks anything like a Dreyer film. It is dated in many ways. Apart from the film’s moral and legal datedness, its language is gratingly old-fashioned. Erna teaches a "simple children’s song" at a parenting class that goes:

Poor little Negro boy

He is black from head to toe

So he must always go

Poor little Negro boy.

Dreyer finished Good Mothers on time and on budget, so that was not why Nordisk Film got cold feet and reneged on producing Anne Pedersdotter. Dreyer, however, did get the studio’s permission to try and "place himself and Anne Pedersdotter with Palladium." Skot-Hansen showed Palladium the financial statements for Good Mothers, persuading chief executive Tage Nielsen to produce the film that would become Day of Wrath.