小学生英文介绍电影演讲（小学生英文介绍电影演讲稿三分钟）

本文目录一览：

• 1、用英文介绍一部电影！

• 2、3分钟用英文介绍一部电影

• 3、介绍电影的演讲稿.docx

• 4、要一篇英文演讲稿，关于电影的。

• 5、用英语介绍一部电影的电影情节和电影主人公的演讲稿

• 6、求关于最喜欢的电影的英语演讲5分钟左右

用英文介绍一部电影！

hello,everyone.i will introduce a film“Kung Fu Panda”（功夫熊猫）The panda is very cute, funny and humorous. And he dreams to be a Master and he realizes it finally.But the process is very hard. There are other animals in the cartoon played some small roles such as tiger, monkey, crane and so on. They are also strong and fight for justice. i like this movie wery much.It encouages me to study hard like the panda then my dream will come true finally.i also hope that everyone could study hard like me.so all of us can be better.

小朋友，这样够简单了吧，基本你都能看得懂。而且没有语法错误，姐姐我可是英语专业的啊，别忘了给我加分啊

3分钟用英文介绍一部电影

罗马假日

Roman Holiday

Roman Holiday (1953) is a delightful, captivating fairy-tale romance shot entirely on location in Rome, and produced and directed by one of Hollywood's most skillful, distinguished, professional and eminent directors - William Wyler.

The film's bittersweet story is a charming romantic-comedy, a kind of Cinderella tale in reverse (with an April-October romance). A runaway princess (Hepburn) rebels against her royal obligations and escapes the insulated confines of her royal prison to find a 'Prince Charming' commoner - an American reporter (Peck) covering the royal tour in Rome. The story was reportedly based on the real-life Italian adventures of British Princess Margaret.

Wyler was known for other great films including Dodsworth (1936), Jezebel (1938), Wuthering Heights (1939), The Letter (1940), Mrs. Miniver (1942), The Best Years of Our Lives (1946), The Heiress (1949), Friendly Persuasion (1956), Ben-Hur (1959) and Funny Girl (1968). Wyler's well-crafted, stylish films that cover a wide range of film genres (family dramas, westerns, epics, romantic comedies, and even one musical) always included down-to-earth characters in real-life situations.

The film received a phenomenal ten Academy Award nominations for a comedy. It won a Best Actress Oscar for its under-experienced British (Belgium-born) actress named Audrey Hepburn - it was her first American film, although she had previously appeared in six European movies and on Broadway in an adaptation of Colette's Gigi. Another of the film's three Oscar awards, the one for Best Original Story was given to Ian McLellan Hunter. In 1992, a posthumous Oscar was properly credited and given to blacklisted Hollywood Ten author Dalton Trumbo, who actually wrote the screenplay. The third Oscar it received was for Best B/W Costume Design (Edith Head). The other seven nominations included: Best Picture, Best Supporting Actor (Eddie Albert), Best Director, Best Screenplay (Ian McClellan Hunter and John Dighton), Best B/W Cinematography, Best B/W Art Direction/Set Decoration, and Best Film Editing.

介绍电影的演讲稿.docx

介绍电影的演讲稿篇一：英语演讲稿(北京国际电影节)hello,everyone.today,mytopici *** eijinginternationalfilmfestival.beijinginternationalfilmfestivalattractshundredsofdomesticandinternationalsuperstarstowalktheredcarpet,suchasfanbingbingandfengxiaogang,liuyifei,jamescameronandhiswife,thedirectoroftitanic,liudehuaandl(来自:写论文网:介绍电影的演讲稿)ingzhiling,zhangziyi.nextpart,iwillintroducesomewinnersofbeijinginternationalfilmfestival.thebestfilmi *** ackto1942.nowyoucanwatchthetrailer.backto1942isdirectedbyfengxiaogang.zhangguoli,xufanandchendaomingplaymainrolesinthefilm.itisadisasterfilmthatduring1942,chinawasfightinganti-japanesewar.atthattime,asuddendroughtinhenanprovinceforcetensofmillionsofpeopletoleavetheirhomeandlookforfoodtosurvive.thisfilmtriestotellthehistoryfromfourdifferentviewingangles.theyaregovernment,internationalreporter,priestanddroughtvictims.thegovernmentshouldhavetakenmeasurestosavethevictims.buttheydonothing,becausetheydon’thaveenoughtime,moneyandresources.japanhasputheavypressureonthem.internationalreporterandpriesttrytosavethevictimsontheirownway.however,thestrengthofapersonisalways *** all.maybetheycansavesomepeople,theycan’tsaveallpeople.asforthevictims,theycan’tprotecttheirproperty,dignityandevenlife.however,whennoonecanhelpthem,theyshowtoustheirgreatwisdomandcourage,solvetheproblems,andthengetthemselvesoutofthecrisisagainandagain.nextwinneriscateshortland.shegotbestdirectorwiththefilmlore.cateshortlandwa *** orninaustraliain1968.sincedirectingthefilmcalledbadcop,badcop,shehasdirectedmanyoutstandingfilms,includingsomersaultinXXandthesilenceinXX.inaddition,bestactoristerencestampbecauseofhiswonderfulperformanceinthefilmsongformarion.chineseactressyanbingyanget *** estactresswiththefilmwanjianchuanxin.sorryidon’tknowhowtotranslate.thatisalliwanttosay.thanksforlistening.篇二：《电影业对人类文明的影响》英语演讲稿(《电影业对人类文明的影响》英语演讲期末演讲稿附大纲及小卡片)thecontributionoffilmstohumancivilizationgoodmorning,ladiesandgentlemen!canyouimagineadaythatyouwakeupandfindallthemovietheatersdisappeared,andevenyoucannotsearchoutanyinformationaboutfilmontheinternet?whatwouldyoudothen?don’tbeafraid.thisisahypothesis.inmodernsociety,actually,thefilmindustrydoesn’tdisappear,butitalsomakesahugecontributiontohumancivilizationmainlyinpolitics,economyandculture.second,let’sdiscusstheaspectofeconomy.settingupindowntown,everycinemacanpromotethelocaleconomytoalargeextent.what’ *** ore,thebeautifulsightsinthefilmcanleaveaprofoundimpressiontotheaudience.therefore,theymaytraveltotherelevantinterestingplaces.ok,tosumup,asimentionedearlier.thefilmindustrycaneffectpeople’ *** anner,cognitionandvalue.ithasalreadymadeahugecontributiontohumancivilizationinthreeaspectsofpolitics,economyandculture.inthedevelopmentofhumancivilization,thefilmindustrywilllearnwidelyfromother’sstrongpointsandshowextraordinarytalentsinthefuture.thankyou,thankyousomuch.speakingoutlineⅰ.introductionthefilmindustryha *** adeahugecontributiontohumancivilization.canyouimagineadaythatyouwakeupandfindallthemovietheatersdisappeared,(停顿)andevenyoucannotsearchoutanyinformationaboutfilmontheinternet?whatwouldyoudothen?(停顿，扫视全场)don’tbeafraid.(停顿)thisisahypothesis.(过渡)inmodernsociety,actually,thefilmindustrydoesn’tdisappear,butitalsomakesahugecontributiontohumancivilizationmainlyinpolitics,economyandculture.ⅱ.mainpointsa.let’slookatthesideofpolitics.b.let’sdiscusstheaspectofeconomy.c.i’dliketotalkaboutthefieldofculture.ⅲ.conclusion(眼神交流)ok,tosumup,asimentionedearlier.thefilmindustrycaneffectpeople’ *** anner,cognitionandvalue.ithasalreadymadeahugecontributiontohumancivilizationinthreeaspectsofpolitics,economyandculture.(眼神交流)inthedevelopmentofhumancivilization,thefilmindustrywilllearnwidelyfromother’sstrongpointsandshowextraordinarytalentsinthefuture.mainpointstopic:thecontributionoffilmstohumancivilization.generalpurpose:toinformspecificpurpose:toinformmyaudienceaboutthecontributionoffilmsinaspectsofthepolitics,economyandculture.centralidea:thefilmhasalreadymadeahugecontributiontohumanbeings.anditwilllearnwidelyfromother’sstrongpointsandshowextraordinarytalentsinthefuture.mainpoints:introducethecontributionsfromthreeaspects.篇三：英语演讲电影today,ibringyouthemovienamed“threeidiots”,inmyopinion,thisisthemostwonderfulfilmihaveeverseen.thenextthingiwanttosharewithyouisastory,iguessyouwilllikeit.法兰、拉杜与兰乔是皇家工程学院的学生，三人共居一室，结为好友。

在以严格著称的学院里，兰乔是个非常与众不同的学生，他不死记硬背，甚至还公然顶撞校长“病毒”，质疑他的教学方法。他不仅鼓动法兰与拉杜去勇敢追寻理想，还劝说校长的二女儿碧雅离开满眼铜臭的未婚夫。兰乔的特立独行引起了模范学生“消音器”的不满，他约定十年后再与兰乔一决高下，看哪种生活方式更能取得成功。十年后他拥有100多项专利，拥有数百万资产，而兰乔只成为了其中一项专利的合作伙伴，兰乔认输了。rancho,rajuandfarhanarestudentsintheroyalcollegeofengineering.inthesameroom,threepeoplemake该电影告诉我们，学习不只是一味的死记硬背，而更多的是能与我们的日常生活相联系，将所学知识应用到我们的生活中，提高生活质量，总而言之，我们应该学以致用，知识是为了生活能变得更好而存在的。thefilmtellsusthatlearningisnotjustlearningbyrote,moreover,itcanbelinkedtoourdailylife.weshouldapplythatknowledgetoourlifeandimprovethequalityoflife.inaword,weshouldputwhatwelearnedtouse,andweshouldknowthatknowledgeexistsforthesakeoflifeanditcanmakeoutlifebetter!aboveistodayiwanttosay.ifyouwanttoknowmoreaboutthestorybydetail,youcangotoseethemovie.thankyou!hello,everyone.today,mytopici *** eijinginternationalfilmfestival.ontheeveningofapril16,theopeningceremonyofbeijinginternationalfilmfestivalhadbeenheldinthetempleofheaven.thedirectoroftheopeningceremonyintegratechineselonghistorysincebeijinginternationalfilmfestivalattractshundredsofdomesticandinternationalsuperstarstowalktheredcarpet,suchasfanbingbingandfengxiaogang,liuyifei,jamescameronandhiswife,thedirectoroftitanic,liudehuaandlingzhiling,zhangpart,iwillintroducesomewinnersofbeijinginternationalfilmfestival.thebestfilmi *** ackto1942.nowyoucanwatchthetrailer.backto1942isdirectedbyfengxiaogang.zhangguoli,xufanandchendaomingplaymainrolesinthefilm.itisadisasterfilmthatduring1942,chinawasfightinganti-japanesewar.atthattime,asuddendroughtinhenanprovinceforcetensofmillionsofpeopletoleavetheirhomeandlookforfoodtosurvive.thisfilmtriestotellthehistoryfromfourdifferentviewingangles.theyaregovernment,internationalreporter,priestanddroughtvictims.thegovernmentshouldhavetakenmeasurestosavethevictims.buttheydonothing,becausetheydon’thaveenoughtime,moneyandresources.japanhasputheavypressureonthem.internationalreporterandpriesttrytosavethevictimsontheirownway.however,thestrengthofapersonisalways *** all.maybetheycansavesomepeople,theycan’tsaveallpeople.asforthevictims,theycan’tprotecttheirproperty,dignityandevenlife.however,whennoonecanhelpthem,theyshowtoustheirgreatwisdomandcourage,solvetheproblems,andthengetthemselvesoutofthecrisisagainandagain.nextwinneriscateshortland.shegotbestdirectorwiththefilmlore.cateshortlandwa *** orninaustraliain1968.sincedirectingthefilmcalledbadcop,badcop,shehasdirectedmanyoutstandingfilms,includingsomersaultinXXandthesilenceinXX.inaddition,bestactoristerencestampbecauseofhiswonderfulperformanceinthefilmsongformarion.chineseactressyanbingyanget *** estactresswiththefilmwanjianchuanxin.sorryidon’tknowhowtoisalliwanttosay.thanksforlistening.篇二：日本影片《情书》英文演讲稿王猛loveletter--toonegirl,loveisuntrue,buttotheothergirlisunknown.inthelastofthemovie,femaleitsukifujiishoutedagainandagaintowardsthesnow-coveredmountain *** aleitsukifujiievercrashed,‘mr.itsukifujii,howareyoudoing?imissyou--imissyou--imissyou.’inthemeantime,theremotefemaleitsukifujiiwithserioussicknessseemstoreceivetheshouting.ithinkthiskindofresponseisahappyrelieftohirokowatanabe,apleasantmemorytofemaleitsukifujiiandthetrueemotionthattwogirlsconveytomaleitsukifujii.thesecretloveiswaitingforthegirltoifshefindsnothing,shelosesnothing.thanksforyourlistening.篇三：《电影业对人类文明的影响》英语演讲稿(《电影业对人类文明的影响》英语演讲期末演讲稿附大纲及小卡片)thecontributionoffilmstohumancivilizationgoodmorning,ladiesandgentlemen!canyouimagineadaythatyouwakeupandfindallthemovietheatersdisappeared,andevenyoucannotsearchoutanyinformationaboutfilmontheinternet?whatwouldyoudothen?don’tbeafraid.thisisahypothesis.inmodernsociety,actually,thefilmindustrydoesn’tdisappear,butitalsomakesahugecontributiontohumancivilizationmainlyinpolitics,economyand,let’sdiscusstheaspectofeconomy.settingupindowntown,everycinemacanpromotethelocaleconomytoalargeextent.what’ *** ore,thebeautifulsightsinthefilmcanleaveaprofoundimpressiontotheaudience.therefore,theymaytraveltotherelevantinteresting,tosumup,asimentionedearlier.thefilmindustrycaneffectpeople’ *** anner,cognitionandvalue.ithasalreadymadeahugecontributiontohumancivilizationinthreeaspectsofpolitics,economyandculture.inthedevelopmentofhumancivilization,thefilmindustrywilllearnwidelyfromother’sstrongpointsandshowextraordinarytalentsinthefuture.thankyou,thankyousomuch.speakingoutlineⅰ.introductionthefilmindustryha *** adeahugecontributiontohumancivilization.canyouimagineadaythatyouwakeupandfindallthemovietheatersdisappeared,(停顿)andevenyoucannotsearchoutanyinformationaboutfilmontheinternet?whatwouldyoudothen?(停顿，扫视全场)don’tbeafraid.(停顿)thisisahypothesis.(过渡)inmodernsociety,actually,thefilmindustrydoesn’tdisappear,butitalsomakesahugecontributiontohumancivilizationmainlyinpolitics,economyandculture.ⅱ.mainpointsa.let’slookatthesideofpolitics.b.let’sdiscusstheaspectofupindowntown,everycinemacanpromotethelocaleconomytoalargeextent.(眼神交流)what’ *** ore,thebeautifulsightsinthefilmcanleaveaprofoundimpressiontotheaudience.therefore,theymaytraveltotherelevantinterestingplaces.c.i’dliketotalkaboutthefieldofculture.ⅲ.conclusion(眼神交流)ok,tosumup,asimentionedearlier.thefilmindustrycaneffectpeople’ *** anner,cognitionandvalue.ithasalreadymadeahugecontributiontohumancivilizationinthreeaspectsofpolitics,economyandculture.(眼神交流)inthedevelopmentofhumancivilization,thefilmindustrywilllearnwidelyfromother’sstrongpointsandshowextraordinarytalentsinthefuture.mainpointstopic:thecontributionoffilmstohumanpurpose:toinformspecificpurpose:toinformmyaudienceaboutthecontributionoffilmsinaspectsofthepolitics,economyandculture.centralidea:thefilmhasalreadymadeahugecontributiontohumanbeings.anditwilllearnwidelyfromother’sstrongpointsandshowextraordinarytalentsinthefuture.mainpoints:introducethecontributionsfromthreeaspects.篇四：英语演讲电影today,ibringyouthemovienamed“threeidiots”,inmyopinion,thisisthemostwonderfulfilmihaveeverseen.thenextthingiwanttosharewithyouisastory,iguessyouwilllikeit.法兰、拉杜与兰乔是皇家工程学院的学生，三人共居一室，结为好友。

在以严格著称的学院里，兰乔是个非常与众不同的学生，他不死记硬背，甚至还公然顶撞校长“病毒”，质疑他的教学方法。他不仅鼓动法兰与拉杜去勇敢追寻理想，还劝说校长的二女儿碧雅离开满眼铜臭的未婚夫。兰乔的特立独行引起了模范学生“消音器”的不满，他约定十年后再与兰乔一决高下，看哪种生活方式更能取得成功。十年后他拥有100多项专利，拥有数百万资产，而兰乔只成为了其中一项专利的合作伙伴，兰乔认输了。rancho,rajuandfarhanarestudentsintheroyalcollegeofengineering.inthesameroom,threepeoplemakefriends.intheschool,whereisfamousforitsstrict,ranchoisaverydifferentstudent,heisnotlearningbyrote,andevenopenlyagainsttheprincipalcalledvirus,andquestionshisteachingmethod.notonlydidhecouragefarhanandrajutocatchtheirdream *** ravely,butalsopersuadestheprincipals该电影告诉我们，学习不只是一味的死记硬背，而更多的是能与我们的日常生活相联系，将所学知识应用到我们的生活中，提高生活质量，总而言之，我们应该学以致用，知识是为了生活能变得更好而存在的。

高中生爱国演讲稿：我最喜欢的电影同学们好！今天我演讲的题目是——我最喜欢的电影！我最喜欢的电影是1962年长春电影制片厂与中国人民海军协助拍摄的《甲午风云》，我相信大家应该都没看过。但因为大家都学过历史，肯定都知道大概讲的什么事。本电影从北洋水师接手护送运兵船，直到黄海大战中民族英雄邓世昌的牺牲。我第一次想看这个时，不过是为了看当时的新型的钢铁战舰及一些武器。但是，在看完电影后，我被电影的内容所触动。这个电影运用的就是对比。最开始水师衙门内商量是否支援运兵船，丁汝昌与邓世昌要去主动出击，与保障安全与占据时机。而李鸿章与刘步蟾都以中日尚未开战，防止我方挑衅为由停止出击，而海上方面，舰队遇到了日本方面的攻击，当时的指挥方伯谦因贪生怕死命舰队逃跑，并先后挂起白旗和日本海军旗，希望日舰停止开炮，爱国水手王国成不甘心受这种耻辱，便扯下白旗和日本海军旗，且冒着杀头罪私自开炮还击。重创日军旗舰。因为运兵船为普通商用运输船，没有火炮，只能用步枪还击，打掉敌人要求投降的信号舰。战后，方伯谦开除了王国成，并谎报军功刘步蟾简介，终于在邓世昌的帮助下，俩人在庆功宴上说出了实情。但无奈一些封建规定，未能给方伯谦定罪，最后在沿海百姓的请求下，丁汝昌、邓世昌二人代人代奏请战书来到北京，准备上奏李鸿章。

因为李鸿章一心希望列强从中调停，便驳回意见，邓世昌差点被罢官。在一次阅兵式后，邓世昌再次请战，怒气下的李鸿章便罢了邓世昌的官。终于在丁汝昌等爱国将领用官职的担保下，在对日宣战的情况下，邓世昌得以官复原职。黄海大战开始了，刘步蟾因担心自己先受到打击，而故意错挂信号旗，让舰队变成了不利作战的“一”字队形，这些对比深刻地将广大的军民的爱国热情与贪婪怕死的帝国主义的走狗罪恶的一面表现的淋漓尽致。影片还体现了清政府的腐朽和列强日本的奸诈。外国人在天津的机械制造局为北洋舰队制造的假炮弹，因为这些炮弹无法打响；在处理日本特务问题上，因为北洋水师的两位洋顾问以国际法为由要求释放他，最后，李鸿章因为害怕日军因此开战而被迫放了他。在黄海大战的时候，日本舰队为了出其不意特意将日本旗换成了中立国美国的星条旗，一些水师官兵指责这是违反国际公约??可他们却上了日本人的当。我看完这部影片，被爱国军民的忠心和团结精神感动了，也对那贪生怕死的卖国贼与帝国主义痛恨刘步蟾简介，当然，历史是无法改变的。但我们要继承先辈们的爱国精神，还要努力发展祖国，建设祖国，强大我们的祖国，只有这样，我们才能敢于对外国人说“不！”才能屹立于世界民族之林。

要一篇英文演讲稿，关于电影的。

This movie is delightful from start to finish. Although some of the coincidences and chance meetings are highly improbable (both going to NYC? Both watching the same TV set at the same time?), they cannot spoil what is a genuinely touching and moving experience.

Instead of a the usual scenario where two people try desperately to find love, the two leads, Li Chiao (Maggie Cheung) and Li Xiao Jun (Leon Lai), try desperately to avoid it. Both Mainlanders, she has come to Hong Kong to make her fortune; he has come to earn enough money to marry his long-time fiancée back on the Mainland. Through a brief meeting in a McDonalds where Li Chiao works one of her several part-time jobs, and Xiao Jun has come to experience the unknown-in-his-hometown food, they become friends. They discover a shared love for the songs of Taiwanese singer Teresa Tang, which become the soundtrack to their relationship. Both are lonely, and gradually they form a genuine friendship, then a not-so-casual intimate relationship. Their struggle to remain true to their original goal in coming to Hong Kong leads to an emotional crisis for both them and their partners. The struggle takes place over a ten year period, during which they separate only to keep bumping into one another and reopening old wounds. The resolution of this struggle is sweet indeed.

The lead actors are both exceptional, particularly Leon Lai, who always seemed to be playing a variation on himself until this film. He is completely believable as the naive and trusting Xiao Jun, and Maggie Cheung is, as ever, radiant and affecting. The songs of Teresa Tang are used to great effect, one of which gives the film it's title (Tian mi mi, the title of the Chinese version, roughly translates as Sweet Like Honey).

invisible and chose

Just ask yourself-- billions of people in the world, why do I meet you not someone else?

用英语介绍一部电影的电影情节和电影主人公的演讲稿

Hello everyone! Today I will introduce you a film which is my favorite one called Twilight. It is a beautiful love story between vampire and mankind. The main characters are named Edward and Bella. They can’t help loving each other. Edward is a vampire who has lived hundreds of years, while Bella just a ordinary high school student. They are classmates. When Bella recognizes that Edward is a vampire, she still chooses to love him under the pressure of every aspect. And Edward also pick the choice to protect Bella at all costs. This is their beginning of .In a word, I just like it the moment I see it. thanks for listening.大家好!今天我为大家介绍一部我最喜欢的电影是暮光之城之暮色。它讲的是吸血鬼和人类之间的唯美的爱情故事。主角是爱德华和贝拉。他们无可救药的爱上对方。爱德华是一个活了数百年的吸血鬼，而贝拉只是一个普通的高中生。他们是同学。当贝拉知道爱德华是吸血鬼时，她还是顶着方方面面的压力选择爱他。而爱德华也选择不惜一切代价来保护贝拉。这就是他们爱情的开始.总之，第一次看到它时，我就是喜欢它了，谢谢你的聆听

求关于最喜欢的电影的英语演讲5分钟左右

There are so many movies I've loved that the entire list would be nearly book-length. It's tough to pick just a few, but I'll give it a try.

Before I start any kind of numbered list, I have to include one film that ... well, it'd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. It isn't fair to list it with others. While I'll still refer to #1 on the list below as my favorite as follow.

Movie:d'Amélie Poulain, Directed by :Jean-Pierre Jeunet.

Jean-Pierre Jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life;love.Every single character,including Amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of Dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appreciation.Amelie is like the angel who repairs the missing links in their lives and finds a root of her own.The "All's Well that Ends Well" motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.

For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: I guess I have to produce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the film didn't win an Academy Award for the best foreign film in 2001 which still puzzles film fans all over the world.

I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget.

Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I haven't noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere.

The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world.

Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amélie's mother is introduced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amélie's father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amélie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amélie is entering the picture running after Nino. The camera follows her, then turning almost 180° around her to show her hold Nino's red bag that he lost. When Amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions.

这个影片“天使爱美丽”的观后感，从导演及音乐、摄影方面阐述了对该电影的喜爱之情。文章字数为4500字左右，根据演讲人语速5分钟内应该无问题，我也可以再删减内容，希望能帮到你。